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| Angklung from Indonesia |
Indonesia is a country rich with different cultures. Music is one part of the culture that gives color to the culture itself. Indonesia one of the popular musical instrument is angklung. Not only in Indonesia, Angklung also popular in other Asian countries. Various parties began to have attention to Angklung music instrument. The obligation to preserve the cultural heritage of the angklung music seemed to be a care house calls. This proved to be a lot of parties have been giving a course to play angklung. The Indonesian government also implicitly confirmed that Indonesia Angklung is owned by the State does not belong to any other country, although that intersect the island with Indonesia. Angklung music heritage should be preserved by all citizens of Indonesia. to foster a sense of having the knowledge of the Angklung must be given as a cultural discourse.
Angklung is a promiscuous nation Indonesia. Sundanese Angklung played long ago.Angklung is made of bamboo that make noise or tone loss resulting from the impact of bamboo when shaken. Angklung is often used by ethnic groups are Sundanese Angklung pentatonic with five tones traditional. Angklung is Pelog, salendro and Madenda. tones in question are: da, mi, na, ti, la, da.
Angklung Padaeng is the creator of diatonic. In 1937, he created the diatonic-chromatic Angklung which has seven tones. So with this type of diatonic Angkung often referred to as Angklung Padaeng. Angklung Padaeng finally have a standard tone as other international instruments. Before you start playing Angklung, one must understand the technique holds the Angklung. How to hold Angklung is to use his left hand and right-handed mengoyangkan Angklung. The left hand should hold the horizontal side of Tengan Angklung. Can palms facing up or down. Angklung must be parallel to the body and is not too close to grow. Now Angklung be shaken and tones.
To be perfectly sound a tone angklung, angklung must be shaken with the right hand from left to right. In these circumstances Angklung should remain straight. Hraus vibrational frequencies can be maintained so berbuyi tone perfectly. Angklung should be played with sustainable techniques. Continuous two-tone technique is played in sequence and played much longer than it should. This technique makes a track appear consecutively.Angklung can be played with soft and loud expression depends songs played. That led to hard or soft a tone is the vibration frequency stability Angklung per second and the distance difference the right hand is used to mengoyang Angklung. In other words Angklung is the cause of the vibration amplitude of the soft and loud dynamics Angklung.
